Carl Spencer & Neal Moignard's Les Autres (2014)

NOTE: This Monday short (Now Tuesday short) was originally posted on May 21, 2018. We are re-uploading Peter Hemminger's original Monday Shorts until further notice.

Happy Tuesday! Post-long-weekend, figured a long-weekend made animation suited best. It also shows the wondrous usage of our Oxberry Stand, of which we have a training certificate running this Fall (taught by me! Don't worry, I've been trained, and we're going to MAKE STUFF!) should you want to make your own multi-plane collage animation masterpieces!

- Theresa

Like every May long weekend, it's Quickdraw's Animation Lockdown, a four-day challenge where local animators spend sleepless nights and caffeinated days trying out new ideas and new techniques. Given how time-consuming animation often is, it's incredibly important to have a chance to blow off steam and get an idea out of your system—think of Titmouse's five-second day, and how essential it has become to their culture.

Some of my favourite shorts are exactly that kind of doodle. Patrick McHale's Fall Guy is a perfect noir pastiche, a silly stream-of-consciousness effort from the Over the Garden Wall animator. Insomnia from Islena Neira is from a five-day challenge, using an improvised piano piece as its inspiration for a bit of inceptioned creativity. But when I think of these sorts of films, the first one that comes to mind is always Les Autres, a collaborative short that came out of the 2014 Lockdown.

Les Autres is a sci-fi collage in every sense of the word. Created from cut-outs assembled into disorienting landscapes and jarringly jam-packed cities, it comes across as a fragment of speculative French fantasy, some strange lovechild of Fantastic Planet and La Jetée. Even the moral, a message of art overcoming all obstacles, feels closer to European utopianism than anything in the current political landscape. Considering it came together in a handful of days, it's a genre exercise with depth, one that rewards rewatching even just to take in the compositions, and is a perfect example of the kind of creativity that often comes from working within constraints.