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Hoji Tsuchiya’s Springtime Old Man (2016)

made of cut outs, the background is of a bridge with red and yellow striped pipes going in and out of the water. In front of the bridge is a pink campervan with stairs leading to the water, with a single figure standing by the window. Hoji Tsuchiya/土屋萌児's Springtime for Old Men (2016)

This Monday Short was originally posted on March 27, 2017. We are re-posting Peter Hemminger's Monday Short Blog posts until we've exhausted the incredible archive.

Paper cut-outs don’t easily lend themselves to free-flowing animation. Even for some of the most masterful modern animators, movies made of cut-outs are usually more about interesting compositions and rigid movements than than the constant bubbling and transforming that characterizes a lot of hand-drawn animation. Which makes Hoji Tsuchiya’s Spring Time Old Man even more impressive than it looks at first glance—for a film that’s entirely made by pasting and peeling layers of collage materials onto a single sheet of paper, it’s incredibly fluid.

That suits Uri Nakayama’s song just fine. The music and visuals both sparkle with energy, mixing childlike glee (the bright primary colours, the simple singsong melody) with sophisticated craftsmanship. The pace never lets up, with new scenes sprouting from previous ones, briefly blooming and then receding as quickly as they came, only to be replaced with something equally joyful. Whether you’re admiring it for Tsuchiya’s skill or just riding the effervescent energy, it’s a remarkable piece of work.

dir. Hoji Tsuchiya/土屋萌児
syn.  Music video for Uri Nakayama"青春おじいさん / Spring time-old man "from new album "マホロバ/MAHOROBA"

2016