The Chris J. Melnychuk Memorial Scholarship and Production Residency is a production-focused program offered by the Quickdraw Animation Society (or QAS) intended to assist individuals in making their first independent animated short film, and targeted towards emerging animators developing their practice. This is a non-cash award open to Calgary, AB (and area) artists of all disciplines, at all stages in their careers, who are interested in the art of animation. No previous animation experience is necessary to apply for this program.
The 2024 CJM Memorial Scholarship and Production Residency will foster the development and training of one emerging animator through classes, mentorship, free production space, free equipment and resource access, technical support, and a modest supply budget to create their first independent animated short film. QAS will publicly screen the completed film, ideally at our annual GIRAF International Animation Festival in November, following the successful completion of the program.
This eighteen-month long program is broken down into two phases: EDUCATION and PRE-PRODUCTION scholarship phase (September 2024 – April 2025) and PRODUCTION/POST-PRODUCTION residency phase (April 2025 – April 2026).
The Successful Applicant will receive from QAS:
This is an 18-month program to allow the participant the necessary time to learn the art of animation and produce their film within a reasonable timeframe. The scholarship portion includes the three classes and mentorship; the residency includes the production phase of the program, where you’re working on your animated film in-studio at QAS.
To make this a quality experience for the participant, we are only able to offer a full scholarship and residency to one individual per intake.
The successful applicant is expected to adhere to the timeline laid out below.
September 2024 – April 2025
April 2025
April 2025 – January 2026
January – March 2026
(Of course, if you finish it earlier, we will be very glad and give you lots of compliments and candy.)
Dang, this timeline is too long!
Animation takes a long time to learn and create! QAS is making a major investment of time and resources into the program participant, and the 18-month timeline ensures the filmmaker has time to learn, develop their film idea, and have enough time for production without burning out.
By adding these pitch deadlines before making available the production space and equipment resources, we can ensure that you are still serious about making a film with us, 8 months from now, once you gain some animation experience. Once you are ready to get into production of your film, you will receive the production resources to make it happen.
Probably! Our major requirement is that you have not yet made an animated film of significance that has been screened on the festival circuit – you need to be new (or new-ish) to the art of animation.
If you’ve taken courses at QAS, Alberta University of the Arts, or other educational institutions before, but haven’t yet made your own animated film, you’re totally eligible! Never animated before? You’re eligible too! We have had first-year AUArts students, established visual artists, sculptors, illustrators, experimental filmmakers, musicians, total newbies and more go through this program.
This scholarship and residency program is only available to artists based in or around Calgary, Alberta, Canada. This is not a remote opportunity – the program takes advantage of our in-house resources, so being able to come down to QAS for classes, meetings, supplies, books, studio space, etc. is essential.
This application is open to individuals of all races, genders, sexualities, backgrounds and abilities. Our studios are mostly accessible to those with mobility issues but not entirely – our main facility is accessible to wheelchair-users but our upstairs space and library is unfortunately not. Please let us know if accessibility would be of concern in your application and we will work to make sure you can access our resources — especially as this year will begin with the residency operating remotely, we still want to ensure that applicants have access to the resources need to learn and work from home.
Applicants are judged by the strength and feasibility of their project proposal (more information below), their portfolio and/or previous artistic work (animation or otherwise), their resume/CV (their experience), the benefit of the scholarship to the applicant, and our assessment of the applicant’s ability to realistically complete a film within the project timeline.
To be eligible for this scholarship, applications must include the following:
The project proposal is meant to give us an idea of the concept behind your project as well as the techniques you might want to use. This should include a two-to-three-sentence summary of your project, a description of the ideas behind it and what you are hoping to achieve, and information about what animation techniques you would like to explore. Feel free to include any images or materials in with the application if it will give us a sense of what you are proposing, but please keep it concise.
We understand that the project is likely to change and evolve, especially as one takes classes and learns more about the art of animation, but the project proposal allows us to get a sense of your interests and approach.
NOTE: All animation techniques proposed will be considered for the scholarship, including (but not limited to): hand-drawn, stop-motion, collage, cut-out, cameraless, mixed media, digital, 3D, experimental, virtual reality, etc.
TIPS:
Please submit all required documents in a zipped folder, PDF Format. Each file and your folder should be labeled in the following format: Yourname_filename.pdf
Submissions are accepted by email only, labeled with the subject line: Chris J. Melnychuk Memorial Scholarship 2024-26: YourName
DEADLINE TO APPLY FOR 2024 – 2026 INTAKE IS SEPTEMBER 3 2024 at 12 pm noon MST
Send submissions and/or questions about the program or application process to Quickdraw’s Programming Director, Ryan Von Hagen: programming@quickdrawanimation.ca.
File Download:
CJM Scholarship Call For Applications (PDF);
CJM Scholarship Call For Applications (.DOCX);
Our 2024 - 2026 CJM Scholarship Recipient:
Morgan Whalan - Cat Cabaret
Our 2023 - 2025 CJM Scholarship Recipient:
Hartley Fiala - Break Twice
Our 2022 - 2024 CJM Scholarship Recipient:
Mide Kadiri - Breakthrough
Our 2021 – 2023 CJM Scholarship Recipient:
Pocholo Cabarroguis – Tavern Trail
Our 2020 – 2022 CJM Scholarship Recipient:
Sacha Michaud – Camping
Our 2019 – 2021 CJM Scholarship Recipient:
Ana Victoria Piñero – PACO
Our 2018 – 2020 CJM Scholarship Recipient:
Abbey Bennett – Darkening
Our 2017 – 2019 CJM Scholarship Recipient:
Joanne Fisher – Stache and the Inner Walk
Our 2016 – 2018 CJM Scholarship Recipients:
Our 2015 – 2016 CJM Scholarship Recipients:
Arielle McCuaig – Scenes From The Grocery
Our 2014 – 2015 CJM Scholarship Recipients:
Joel Hamilton – M22079
Our 2013 – 2014 CJM Scholarship Recipients:
Eric Smith aka Rak – Antidote
Glenbow Museum – Watch Me Move, Launch Party
Toronto Animated Images Society – Showcase 2012
Prairie Tales 2012, Various Locations
Animation Block Party, 2012
Hiroshima Animation Festival 2012
Ottawa International Animation Festival, 2012
Calgary International Film Festival, 2012
Edmonton International Film Festival, 2012
GAMA – Epcor Center Calgary, Feb 2013
To request a screening, contact programming@quickdrawanimation.ca
Chris was a Calgary-based award winning visual artist and filmmaker. A long standing member at Quickdraw Animation, Chris joined the society in 1997, and dedicated his time to creating animation, teaching, and serving on the Quickdraw Board of Directors, and has since achieved an Honorary Membership for his dedication to the community. His award winning animated films, Alien and Zap Girl Makes Toast, have toured worldwide, and he had a long-standing commitment to mentoring young artists and animators.
C’est La Vie: The Chris J. Melnychuk Story documents the award-winning animator’s (Alien, Zap Girl Makes Toast) battle with tongue cancer. Building on live footage from Chris’s last, unfinished film, C’est La Vie was created posthumously through the collaboration of 19 animators from the Quickdraw Animation Society in Calgary, Canada. To honour Chris’ legacy, all proceeds from the project go towards supporting the Chris J. Melnychuk Memorial Scholarship – encouraging emerging animators to develop their artistic practice.